With a passion for electricity, Mr. Pérol carried out the masonry, earthwork, and, of course, electrical work almost entirely on his own. His hydroelectric plant at La Croix-Blanche in Aubusson thus supplies the town with much-needed energy.
Speaking about his experience with Shen Yun, he said, “What I appreciate most of all is the discipline and precision. That’s what’s missing in our country, and it’s a real shame. You can tell that hours of practice go into every movement, and I found that amazing. I really love that level of dedication.”
Mr. Pérol said he was particularly moved by “the dancers’ grace. You can see it in their faces: kindness, simplicity, grace, and elegance.”
Mr. Pérol was aware that persecution was taking place in China, “but not on that scale. The performance made me fully realize it.”
By reviving China’s divinely inspired traditional culture and exposing the crimes of persecution to the world, the Shen Yun Performing Arts company has become one of the Chinese communist regime’s targets and is therefore not permitted to perform in mainland China.

Recalling that he had practiced acrobatics and gymnastics himself in his youth, the former mayor said: “It’s wonderful to see these women and men who are both incredibly agile and graceful.”
This former construction manager also enjoyed the Shen Yun orchestra accompanying the dance performances, as well as the baritone’s performance: “I really like the baritone and the orchestra down in the pit. Besides, we have a great seat to enjoy it.”
For Jean-Jacques David, Shen Yun’s mission “is wonderful: it’s only natural for people to highlight their culture, keep it alive, and promote its recognition.”

“It was so much fun! It was really, really beautiful, full of colors,” added his daughters, Lisa Ougier and Zoé Viard.
For Mr. Ougier, the show is “very inspiring”: Shen Yun “makes you want to learn more about Chinese history, take an interest in it, and perhaps read some of the stories as well.”
“The dancers’ perfect synchronization is remarkable, and the staging is superb,” he said.
“I love fashion,” says Zoé Viard. “The costumes were just so, so beautiful! And the colors were so vibrant—I loved it!”
Lisa Ougier added, “The scene with the long sleeves was really, really beautiful! They managed to dance in them—it was so beautiful.”
Upon learning that Shen Yun cannot perform in today’s communist China, Mr. Ougier remarked, “It’s truly unfortunate, but I think it’s a wonderful way to spread this message of hope around the world for a change that may yet come.”
For Mr. Ougier, Shen Yun embodies certain values: “I find that in a highly individualistic society, being able to speak as one and dance in unison speaks to the collective spirit and the well-being of society, beyond the messages conveyed in each scene. It is both uplifting and deeply comforting.”











